2005 - 2012Art Director, Product Designer
New York
First hire and only employee in the first 3 years, assisted Adam Kimmel in all aspects of starting a fashion business.  
Researched and drew each collection, attended fittings, and coordinated with production in 7 different Italian factories. Developed custom fabrics with mills in Italy and Japan, designing all patterns, prints, jacquards, and embroideries. 
Designed accessories, including sunglasses, shoes, bags, scarves, etc. 
Initially managed sample loans to American editors and stylists, building a relationship with stylists, and assisting with run-throughs. Held wholesale appointments in New York and Paris, introducing the collection to buyers.


Fall Winter 2012 the last hurrah.
Created, organized, and produced national and international marketing campaigns (including public relations events, branding and advertising).
Created all promotional material, invitations, lookbooks, billboards, etc. Associated responsibilities included sourcing and hiring photographers, videographers, retouchers, printers, etc. Produced biannual Paris runway shows and installations.


Organized and produced various on-location photoshoots and special editorial features, including in Los Angeles, Utah, Fort Bragg, Florence, and Paris.

Organized and produced Paris biannual presentations during Paris Men’s Fashion Week and various events, such as the 2008 Pitti Uomo Adam Kimmel presentation in Florence, Italy, or the show for the 2010 Textile Awards in Zurich, Switzerland.
To this day people still talk to us about this dinner and party we put up for Pitti Uomo in the heart of Florence.
A store in store at Dover Street Market Ginza, also an early supporter of the brand.
Dover Street Market London window with the masks by George Condo
One of many display at Barney’s over the years. These pale men are really hard to screw together.
Window display at Colette, our first door in Europe 🥹
Nothing a couple hours of street casting and runway training can’t do in Zurich.

Each season was heavily referential to cultural niches or built around artists, and it was rich in graphic elements that showed up all throughout the collection. As a result, many of our high-end retail vendors would ask for exclusive products, and it was always fun to oblige!
Looks simple but there’s an incredible amount of crafty back and forth that takes place when trying to achieve a “neon red”

 In September 2024 the New York Times Style Magazine graced us with this article.
casually followed by one of our design hero 🥲